What mixing covers here
Mixing balances levels, panning, EQ, dynamics, and effects so every element sits in its lane without masking drums or swallowing vocals. Bring references from streaming playlists so loudness and tone stay anchored to releases you already enjoy.
If stems arrive from Evans House sessions or another studio, we align naming and sample rates before the first balance pass.
Mastering before distribution
Mastering polishes the stereo mix for loudness consistency across tracks and prepares masters for your release targets. Flag alternate masters early (instrumentals, vinyl-side sequencing) because limiting choices change once those decisions are set.
Turnaround and revision rounds are agreed when you book so you know how many passes sit inside the quoted envelope.
Send us your stems
Export consolidated WAV stems at the sample rate you tracked. Label buses clearly (vocals, drums, bass). Leave headroom on the master bus so limiting stays clean.
Note any mutes or edits you still expect. Send via WeTransfer, Google Drive, or Dropbox when you enquire.
Recorded here first? See recording with an engineer. Prefer to track yourself? Dry hire the room.